Logic pro x control surfaces support free

The app does not itself play or record audio! Try before buy! Free demo available for testing. Standard functionality like mixer and transport operation will be accessible in other applications with basic control surface support as well.

As of version 1. There is no computer side server or protocol conversion software other than the driver required. A free driver, available from our website, is required for some of the proprietary solutions. The apk contains both tablet and phone versions. Most recent phones will let you alternatively use the tablet layout.

Please try before you buy! The free version is mostly identical and will let you check if things are useable with your network setup before spending money. The app needs some initial PC-side configuration, please see website for help. Problems, questions, suggestions? Please use website or email. The Play Store’s comment section is not a support channel and help calls you leave here will not be answered.

That said, it is not as firm as the transport buttons and feels rather cheap and tacky. The large, chunky size, however, makes up for this lapse.

One of my favorite features — something few control surfaces in this budget offer — is the small LCD scribble strips at the top of each channel fader. This instantly tells you which track or parameter you’re controlling. The standout feature for me, however, has to be the motorized faders.

It’s one of the rare control surfaces on the market with a whole array — nine — of motorized faders. As mentioned earlier, the interaction with Logic is one of the best features of this device. It has full support with Logic as well as other DAWs. Despite the integration with Mac OS, the lack of a Mac editor is jarring. The build quality is a little disappointing considering the price.

The motors on the faders is tacky and feels liable to break. The lack of customization options in the editor is also a letdown. Recommended for: Gigging musicians that have a home studio will find the functionality of this device quite ideal. It’s also great if you want to move from a small home setup to something that’s more professional. For our money, this is the best control surface for Logic Pro X as far as performance is concerned.

Even the design language follows that purpose. You won’t find unnecessary screens and tabs and buttons. Everything is limited. Some might see this as a problem, but I see this as a perfect example of a tight, single-purpose device. You won’t have to spend hours studying the manual; everything is intuitive and easy to figure out on your own.

Throw in the fact that it also has wireless connectivity though latency takes a hit and a small footprint, I rank it as the best control surface for Logic Pro X if portability is a top priority. At the bottom of the front panel, there are the long-throw faders. The top of the panel features the Mute, Solo, Record, and select buttons. This is a departure from the Kontrol 2 which had the aforementioned buttons cradled between the faders. Aside from these buttons and the faders, the front panel has a single jog wheel and a scene button.

I like the increased functionality this offers. It allows me to change through 5 controller assignment pages with ease whenever I use it in the MIDI mode. The keyboard layout on this device is also intriguing. There are an additional 8 knobs and trigger pads as well as an axis touch controller. Given the focus on simplicity, all the buttons are clearly labeled Mute, Solo, Record, Select.

This really improves the user experience, at least for beginners. Additionally, the rear panel features a switch that toggles between the USB or Bluetooth mode.

While testing, I found the connections easy to make and quite seamless. However, I encountered some connectivity problems when using the Bluetooth function on a low battery. Latency is also questionable over Bluetooth mode, but if you’re producing on Garageband, it’s more than acceptable. The NanoKontrol Studio is compatible with a number of apps. When I connected the control surface to my MacBook, I discovered that there are plenty of modes available. The device functions just as a normal MIDI keyboard does when connected to the computer.

Mapping had to be done manually as there is no Live remote script or Logic plug-in. However, the keys afford a lot of functionality. They offer the user a built-in Arpeggiator among other functions.

The touchpad has 3 different functions that are accessed by using the buttons just south of it. You can use it as pitch bend and mod wheels, you can use it as a controller, and it can be used to play notes. It has functional issues on iOS devices — though I don’t consider this a major issue since you’ll be using it with Logic Pro i.

A major concern is build quality. The entire unit is housed in a lightweight plastic body. A couple of bad drops and this plastic can crack easily. Given its portable credentials, I would have preferred a tougher body. Recommended for: If you want the best control surface for Logic Pro X with a wireless connection at a relatively cheap price, this is for you.

It’s extremely easy to use and has none of the frills and features that might confuse a beginner. This unit from Zoom is designed specifically to work with Zoom’s F4 and F8 mixers. However, since it’s USB, it works equally well with other USB-capable mixers or when you plug it directly into the computer. The entire unit is housed in a metal casing that makes it look really good. The tough body also ensures that it can stand the rigors of live gigs.

The buttons and faders on this control surface look strong, firm, and of high quality. The interface and button overlay of the device makes it one of the easiest to use. If you already use a Zoom mixer, that’s a massive win. The faders are tight and have the right amount of give. The LED display is bright and looks good even in sunlight. The quality of the rubber gel buttons is at par with Akai that is, not great, not bad. I would have preferred at least one motorized fader, however.

On the whole, if you’re recording live or outdoors, this is one of the best control surfaces for Logic Pro X you can find on the market. It has its limitations, especially given its limited compatibility, but the solid build quality and feature-rich performance make it a top choice.

Recommended for: If you are looking for a portable and highly durable control surface to take on the go with you to locations, this will suit your needs.

SSL have released their latest studio controller, following on from the Duality, Matrix and Nucleus controllers. We have the details…. Are you still looking for the dream controller for the plugins in your DAW? Is it any good for a studio, Russ Hughes sits down and stands up to put it to the test. We having been seeing a number of requests for help with people having problems using the free Avid Control app or its predecessor, the Pro Tools Control app.

In this article, we have help, guidance, compatibility information and troubleshooting support for the Avid Control app. PreSonus, the makers of Studio One, has announced the ioStation 24c audio interface. This is what they say about the new ioStation 24c audio interface. Each day, we took a closer look at each of the prizes in turn.

The team at Slate Media Technology are very pleased to be able to announce the latest software update for the Raven line of multi-touch monitor controllers. Version 3. We have all you need to know about the new Avid control surface and how you can pre-order it. In this article, we take a look at what control surfaces are available in the market place today covering several popular desktop-sized solutions for budget-minded home studios through to large deluxe models for pro facilities.

Not every audio engineer can indulge themselves in medium to large form factor control surfaces, often because space is at a premium in their studios. If you have limited space on your desk and yet require a control surface, then the following single fader options are well worth checking out.

We are creatives but most of us are not computer network specialists. However, with the growth of Audio Over IP and Eucon people may be using technology that we may not fully understand. In this article, we aim to explain, as simply as possible, tips you can implement to reduce problems with trying to get too much data reliably across your office or home network. Eddie Jones from Avid has reported problems with any Eucon powered control surfaces following a recent Apple security update for users running macOS We have the details and download link of a workaround version of Eucon Avid today announced the release of Eucon Alongside the new EuCon The Avid S4 console offers the robust workflows to audio post professionals for immersive audio mixing, sound design, ADR, and editorial.

In a world exclusive, Post Production Expert Alan Sallabank, who has been beta testing the new Avid S1 control surface, together with the new Avid Control app, now available on iOS, Android and Amazon Fire, from prototype to production pilot, shares his experiences and observations in this very special review. We show you now…. As a follow up of the release of Pro Tools In this article, with the help of some free video tutorials from Avid, we shed some light on the monitoring features in the Following the announcement of the Avid S4 as the replacement to the M10 version of the Avid S6, Avid realised that existing Avid S6 M10 owners might not be very happy as the Avid S4 can have display modules, whereas if you wanted display modules with the Avid S6, you had to go for the M40 option.

Are you tempted or is this type of bargain hunting pure madness? In this article we give you an up close and personal look at the Avid S3 coupled with an iPad running the free Pro Tools Control app to give you and idea of what the S3 could be like to live with if you chose to invest in one for your studio. If you are still using a HUI based control surface with Pro Tools and you find that the meters on your HUI control surface stop working then check out this article, we have the answer.

In this article we list six used Pro Tools Bargains that you can buy second-hand today for a fraction of what they would have cost you new.

The article gives you information on support and compatibility with Pro Tools, technical faults to watch out for when buying one of these units used along with ballpark values based on units what they are currently listed for on eBay. The Avid Pro Tools C 24 control surface is coming to the end of its life.

Logic pro x control surfaces support free

 
Avid incorporated advanced features from its impressive full-sized consoles into S1, including responsive, motorized, touch-sensitive faders, touch-sensitive knobs, and touchscreen-integrated keys. Apogee ONE. I Contents More information. The single motorized fader is good enough for home studios albeit limited in live settings. E-Loader More information. They tend to merge in with the rest of the buttons on the unit — I would have preferred if they stood out more since you’ll be using them extensively.

Logic pro x control surfaces support free

For example, they have lights to show their current status. The jog wheel also enjoys this design feature. That said, it is not as firm as the transport buttons and feels rather cheap and tacky. The large, chunky size, however, makes up for this lapse. One of my favorite features — something few control surfaces in this budget offer — is the small LCD scribble strips at the top of each channel fader.

This instantly tells you which track or parameter you’re controlling. The standout feature for me, however, has to be the motorized faders. It’s one of the rare control surfaces on the market with a whole array — nine — of motorized faders. As mentioned earlier, the interaction with Logic is one of the best features of this device. It has full support with Logic as well as other DAWs. Despite the integration with Mac OS, the lack of a Mac editor is jarring.

The build quality is a little disappointing considering the price. The motors on the faders is tacky and feels liable to break. The lack of customization options in the editor is also a letdown. Recommended for: Gigging musicians that have a home studio will find the functionality of this device quite ideal.

It’s also great if you want to move from a small home setup to something that’s more professional. For our money, this is the best control surface for Logic Pro X as far as performance is concerned. Even the design language follows that purpose. You won’t find unnecessary screens and tabs and buttons.

Everything is limited. Some might see this as a problem, but I see this as a perfect example of a tight, single-purpose device. You won’t have to spend hours studying the manual; everything is intuitive and easy to figure out on your own. Throw in the fact that it also has wireless connectivity though latency takes a hit and a small footprint, I rank it as the best control surface for Logic Pro X if portability is a top priority.

At the bottom of the front panel, there are the long-throw faders. The top of the panel features the Mute, Solo, Record, and select buttons.

This is a departure from the Kontrol 2 which had the aforementioned buttons cradled between the faders. Aside from these buttons and the faders, the front panel has a single jog wheel and a scene button. I like the increased functionality this offers. It allows me to change through 5 controller assignment pages with ease whenever I use it in the MIDI mode. The keyboard layout on this device is also intriguing.

There are an additional 8 knobs and trigger pads as well as an axis touch controller. Given the focus on simplicity, all the buttons are clearly labeled Mute, Solo, Record, Select.

This really improves the user experience, at least for beginners. Additionally, the rear panel features a switch that toggles between the USB or Bluetooth mode. While testing, I found the connections easy to make and quite seamless. However, I encountered some connectivity problems when using the Bluetooth function on a low battery.

Latency is also questionable over Bluetooth mode, but if you’re producing on Garageband, it’s more than acceptable. The NanoKontrol Studio is compatible with a number of apps. When I connected the control surface to my MacBook, I discovered that there are plenty of modes available. The device functions just as a normal MIDI keyboard does when connected to the computer.

Mapping had to be done manually as there is no Live remote script or Logic plug-in. However, the keys afford a lot of functionality. They offer the user a built-in Arpeggiator among other functions. The touchpad has 3 different functions that are accessed by using the buttons just south of it. You can use it as pitch bend and mod wheels, you can use it as a controller, and it can be used to play notes. It has functional issues on iOS devices — though I don’t consider this a major issue since you’ll be using it with Logic Pro i.

A major concern is build quality. The entire unit is housed in a lightweight plastic body. A couple of bad drops and this plastic can crack easily. Given its portable credentials, I would have preferred a tougher body. Recommended for: If you want the best control surface for Logic Pro X with a wireless connection at a relatively cheap price, this is for you.

It’s extremely easy to use and has none of the frills and features that might confuse a beginner. This unit from Zoom is designed specifically to work with Zoom’s F4 and F8 mixers. However, since it’s USB, it works equally well with other USB-capable mixers or when you plug it directly into the computer.

The entire unit is housed in a metal casing that makes it look really good. The tough body also ensures that it can stand the rigors of live gigs. The buttons and faders on this control surface look strong, firm, and of high quality. The interface and button overlay of the device makes it one of the easiest to use. If you already use a Zoom mixer, that’s a massive win. The faders are tight and have the right amount of give. The LED display is bright and looks good even in sunlight. The quality of the rubber gel buttons is at par with Akai that is, not great, not bad.

I would have preferred at least one motorized fader, however. On the whole, if you’re recording live or outdoors, this is one of the best control surfaces for Logic Pro X you can find on the market. It has its limitations, especially given its limited compatibility, but the solid build quality and feature-rich performance make it a top choice.

Recommended for: If you are looking for a portable and highly durable control surface to take on the go with you to locations, this will suit your needs. If you already own a Zoom mixer, then you’ll find that this is easily one of the best control surfaces for Logic Pro X on the market right now. While most of the options on this list would be a good fit in any home studio, I feel that the X-Touch One offers the best mix of features, affordability and portability home studios need.

To start with, i t is similar to the X-Touch Mini in size, albeit a tad larger. One way to describe the design and appearance of the X-Touch One is comparing it to cutting off one end of the X-touch. It comes with the standard controls on the X-Touch; however, it has a single motorized fader, navigation functions, and transport functions. The single motorized fader is good enough for home studios albeit limited in live settings.

It’s also touch sensitive which gives you much better control over your fades and automations. Complementing it is a gigantic jog wheel that helps you move through tracks and settings on the fly. It’s not as smooth as the FaderPort but built well and does what it’s meant to do comfortably.

The overall layout is very tidy. All the buttons are neatly arranged and labeled. LED scribble strips tell you exactly what track and position you’re currently in.

I would have liked a few encoders to balance out all the buttons, but you get a lot of mileage from this little unit. I enjoyed using this device due to its portability, compact nature, and the great support for major DAWs, including Logic Pro.

The performance is satisfactory, and while it is not as robust feature-wise like its big brother the X-Touch, it is great in its own little way. While the build quality is markedly improved, it still suffers from that trademark Behringer fragility. It won’t fall apart easily, but you better make sure not to drop it from a height. Strictly for home studios — dragging it to live gigs is living on the edge.

The transport buttons are also a tad smaller for my tastes. They tend to merge in with the rest of the buttons on the unit — I would have preferred if they stood out more since you’ll be using them extensively. A small niggle is the lack of a power button. Recommended for: If you love the X-Touch but want a smaller control surface without compromising too many features, then you should get this unit. It’s the best control surface for Logic Pro X if you working in a home studio given its price tag.

That wraps up our roundup of the best control surface for Logic Prox X you can buy right now. Pick the option that fits your requirements from the list above. For more recommendations and advice, don’t hesitate to reach out to me here. Last Updated on January 4, We use rigorous research, reviews, and real-world performance when recommending products. Our reviewers include producers, performers, and active musicians. You can read more about our review process here.

This does not affect your final purchase price. Presonus Fader Port has dedicated transport control. However, many control surfaces have dedicated transport controls but imagine a control surface you can hold on your hands when operating. This is an added advantage of Presonus Fader Port and makes you more comfortable in a long recording session.

Due to the doubling nature of dB , in the low ends, you struggle in balancing your faders on the computer screen. In the low ends like below dB, a very small movement of fader can change the sound dramatically.

Here a full-length mm physical fader helps you to optimize your mixing. With hardware faders, you can play with those small volume changes without struggling with your computer mouse. Presonus Fader Port has not only mm standard fader but the faders are motorized too. The motorized fader helps you to create some awesome automation in your tracks. Along with transport control at the bottom, Presounus Fader Port has a full range of dedicated transport and edit buttons.

Presonus Fader Port has 24 buttons covering 40 different functions, and all these features you get in a compact 5. This feature is useful for musicians who record individually. However, you have to spend a good amount of money, if you are going to own this amazing gear.

Although, this is a high-priced gear even it is far less than a good digital mixer. There are digital mixers available in the market at a low price but they have some major limitations like non-motorized faders and lack of display panel etc.

If you go for one with the above features, you have to invest at least the double amount of money from Mackie MCU Pro. This control can help you in all the major operations in Your DAW. You can add effects on your DAWs tracks. Mackie MCU Pro comes with an inclined display panel for the monitoring of your recording process.

This display panel in this MIDI mixer controller is very useful for the visual monitoring of tracks. In Presonus Faderport you just get one motorized fader, but with Mackie MCU Pro you get 8 full-length motorized faders as well as a master fader for controlling the master volume.

With these full-length motorized faders, you can seamlessly and accurately mix your projects as well as do some amazing automation. Panpots and track buttons Solo, Mute, select, record : Mackie MCU Pro has 8 dedicated panpots above the faders as well as track buttons for each track.

VPot Assign and fader banks : This area is just above the master fader. VPot assign is used for adding plugin effects on a selected track, assigning send, Equalizing a track, etc. The fader bank panel is used to switch the track banks, and channels. As you know Mackie is known as one of the best manufacturers of audio mixers, obviously the look of Mackie MCU Pro will tell you about their rich history of manufacturing mixers.

A vintage-style finish makes it a beautiful gear for your studio. These 2 expansions will not only increase the beauty of your studio but also are very useful gears. And if you want to add some other functions like controlling sequencers or plugins of your digital audio interface then you can use Mackie C4. Many Hollywood studios use Pro Tools for the best workflow and quality.

I personally love Pro Tools as it is one of the fastest DAW and accelerates your workflow dramatically. But Avid is not limited to Pro tools or its award-winning Video Editing software.

There are many more gears and software Avid has. And one of them is Avid Artist Mix. Avid Artist Mix is a versatile control surface and can increase your workflow dramatically. If you get this control surface in your studio, it will not only increase the workflow but also give a charm to your studio. It comes with 8 full lengths ie; mm motorized faders and the same number of panpots as well as other track buttons like solo, record enable mute, etc.

The one feature I really miss in this control surface is the master fader. Avid Artist Mix has a long display where all the operations can be monitored.

You can monitor each track individually in the display panel. The second thing we miss in Avid Artist Mix is a dedicated transport panel. However, Avid cleared that it is a control surface for mixing and not for recording controls.

Even, it should have a transport control. If you are finding a control surface that you could use in your home studio as well as outside recording then Novation Launchpad is for you. For budget home studios it would be a perfect fit. Let have a detailed look at the Novation launch control. If you are a music producer then you can now focus on your music production without worrying about the DAW handling by traditional keyboard and mixer.

Novation launchpad has eight 60mm non-motorized faders. These faders are good for mixing but the lack of motors in faders makes them useless in automation. If you want to add some automation to your tracks then you have to rely on your mouse and keyboard.

However, for volume balancing, 60mm faders work well. Novation Launch control can be used with Novation Launchpad. By owning both of them you get full control over your DAW.

Launchpad has assignable buttons that can be used as transport and edit controls. In fact, if you want a full-featured control surface, you need both of them. With bus-powered features and lightweight, it is perfect for outside recordings like concerts programs. Just plug it in with your laptop and make the magic happen.